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A printed edition of this Special Issue is available here. Share This Special Issue. Dear Colleagues, While fairy tales are constantly migrating into new cultures and new media, reinventing themselves along the way, recent years in particular have seen a wave of highly innovative but also highly disputable fairy-tale retellings in popular culture. References: Cristina Bacchilega. Download All Papers. Order results. Content type Publication Date. Normal Extended Compact. Select all.

Error Ops Editorial Jump to: Research. Open Access Editorial. Abstract Ever since the beginning of the 21st century, the fairy tale has not only become a staple of the small and silver screen around the globe, it has also migrated into new media, overwhelming audiences with imaginative and spectacular retellings along the way.

Ever since the beginning of the 21st century, the fairy tale has not only become a staple of the small and silver screen around the globe, it has also migrated into new media, overwhelming audiences with imaginative and spectacular retellings along the way. How, why, and for whom have fairy-tale narratives, characters, and motifs metamorphosed in recent decades?

What significant intermedial and intertextual relationships exist nowadays in connection with the fairy tale? This special issue features 11 illuminating articles of 13 scholars in the fields of folklore and fairy-tale studies tackling these and other relevant questions. Full article. Research Jump to: Editorial. Open Access Article. He has created a video for YouTube.

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Through comedic satire he creates parodied storylines that bring four animated princesses out of their Disney realms and into the real world where they must deal with environmental destruction, racism, and colonialism, among other issues. The use of a video-sharing site such as Youtube. This case study looks at the ways in which the global recognition of Disney culture allows for the creation of social commentary through familiar and beloved characters, while an increasingly digitally-connected world impacts the capabilities and understanding of both the creator and the viewers of the material.

The miniseries responds to recent postmodern fairy tale adaptations by stripping away a century of popular culture references and using [ Abstract Based on fieldwork by the author conducted in Tibetan cultural areas of the Indian Himalayas, this paper explores Himalayan understandings of what defines a fairy tale, in contrast to the Western understanding.

Based on fieldwork by the author conducted in Tibetan cultural areas of the Indian Himalayas, this paper explores Himalayan understandings of what defines a fairy tale, in contrast to the Western understanding. In light of the proposals to record and disseminate many of these stories using new media, this paper seeks to examine these genre definitions and investigates the various contexts in which these stories are told.

Abstract Fan fiction alternate universe stories AUs that combine Game of Thrones characters and settings with fairy tale elements construct a dialogue between realism and wonder.

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Realism performs a number of functions in various genres, but becomes a particularly tricky concept to tie down [ Fan fiction alternate universe stories AUs that combine Game of Thrones characters and settings with fairy tale elements construct a dialogue between realism and wonder. Realism performs a number of functions in various genres, but becomes a particularly tricky concept to tie down in fantasy. The happily-ever-after ending receives significant feminist criticism partly because it falls within a larger framework of utopian politics and poetics, which are frequently accused of essentialism and authoritarianism.

However, because fan fiction cultures place all stories in dialogue with numerous other equally plausible versions, the fairy tale happy ending can serve unexpected purposes. The episode reveals that, contrary to most oral and written versions of [ The episode reveals that, contrary to most oral and written versions of the ATU tale, Red herself is the wolf: a werewolf who must wear an enchanted red cloak in order to keep from turning into a monster.

The episode also features the beginnings of the close friendship between Red and Snow White. Abstract This paper considers transforming forms and their purposes in the popular culture trope of the televised Monster of the Week MOTW. While some MOTW are [ This paper considers transforming forms and their purposes in the popular culture trope of the televised Monster of the Week MOTW. While some MOTW are contemporary inventions, many, like Baba Yaga, are mythological and fantastic creatures from folk narratives. Employing the concept of the folkloresque , we explore how contemporary audiovisual tropes gain integrity and traction by indexing traditional knowledge and belief systems.

In the process, we examine key affordances of these forms involving the possibilities of wonder and the portability of tradition. Our findings indicate connections in these shows between crime, violence, family, and loss.

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The trope formulates wonder and families through folk narrative and monster forms and functions. Worldwide chaos and strife are easily explained as [ Worldwide chaos and strife are easily explained as part of the Grimm universe Grimmverse through Wesen humanoid creatures who share characteristics with animals such as appearance and behavior , leading to a more united view of humanity and equality of human experience.

Evil is often more scientifically explained, and what may appear random within our reality becomes part of a pattern in Grimm. Grimm gives its American audience a form of societal unity through historic folklore and a fictional explanation for the struggles Americans perceive to be happening within their own society as well as in other parts of the world.

I will argue that these aspects create an unusual relationship between the fairy tale universe and the physical one, characterized by simultaneous displacement and interdependency. Willingham uses fairy-tale pastiche and syncreticism based on the ethos of comic book crossovers in his redeployment of [ Willingham uses fairy-tale pastiche and syncreticism based on the ethos of comic book crossovers in his redeployment of previous approaches to fairy-tale characters. Fables characters are richer for every perspective that Willingham deploys, from the Brothers Grimm to Disneyesque aesthetics and more erotic, violent, and horrific incarnations.

Emerging from negotiations with tradition and innovation are fairy-tale characters who defy constraints of folk and storybook narrative, mythology, and metafiction. Pepper Commercial. Abstract In the magical girl anime series Puella Magi Madoka Magica , middle-school girls receive the power and responsibility to fight witches in exchange for making a wish.

The series has connections to many different genres and narrative traditions within the realm of folkloristics. In the magical girl anime series Puella Magi Madoka Magica , middle-school girls receive the power and responsibility to fight witches in exchange for making a wish. A Shetland minister of the eighteenth century, being passages in the life of the Reverend John Mill. Accommodations -- Or Just Good Teaching? British Marine Algae: being a popular account of the seaweeds of Great Britain, their collection and preservation. Illustrated PDF Online. Christina Perri - lovestrong.

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